Frantic rhythms, improvisations, a taste for the irregular and the forbidden. Jazz exploded under the radar in 1930s Europe and alerted the Nazi-fascist regimes in Italy and Germany. Yet, that frantic freedom, that apparent disorder won many hearts. Between a Louis Armstrong who becomes Luigi Braccioforte and a Duke Ellington renamed Del Duca, this is a tribute to the power of a forbidden music, which shook censorship and totalitarianism with syncopated rhythms.<\/p>\n\n\n\n
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Glenn Miller, A String of Pearls<\/em>
Glenn Miller, Moonlight Serenade<\/em>
Glenn Miller, Pennsylvania 6-5000<\/em>
Glenn Miller, In the Mood<\/em>
Duke Ellington & Billy Strayhorn, Take the \u201cA\u201d Train<\/em>
Duke Ellington, C Jam Blues<\/em>
Count Basie & Neal Hefty, Li\u2019l Darlin\u2019<\/em>
Bart Howard & Sammy Nestico, Fly Me to the Moon<\/em>
Count Basie & Sammy Nestico, This Way<\/em>
Neal Hefty & Sammy Nestico, Splanky<\/em>
Count Basie & Sammy Nestico, The Queen Bee<\/em>
Roger Ramirez & Sammy Nestico, Lover Man<\/em><\/p>\n\n\n\n