{"id":103219,"date":"2026-03-30T11:43:55","date_gmt":"2026-03-30T10:43:55","guid":{"rendered":"https:\/\/www.mittelfest.org\/spettacolo\/akylas-ex-opseos\/"},"modified":"2026-05-17T10:30:38","modified_gmt":"2026-05-17T09:30:38","slug":"akylas-ex-opseos","status":"publish","type":"spettacolo","link":"https:\/\/www.mittelfest.org\/de\/spettacolo\/akylas-ex-opseos\/","title":{"rendered":"AKYLAS | ex opseos"},"content":{"rendered":"\n<div style=\"height:29px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-fe48e5de wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link has-white-color has-text-color has-background has-link-color wp-element-button\" href=\"https:\/\/www.mittelfest.org\/mittelgallery\/mittelgallery-mittelyoung-danza\/\" style=\"background-color:#365ba6\">Gallery<\/a><\/div>\n<\/div>\n\n\n\n<div style=\"height:29px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Alles liegt im Dunkeln. Wenn das Auge tr\u00fcgt, besteht die einzige M\u00f6glichkeit, Medusa zu begegnen, ohne zu Stein zu erstarren, darin, auf das konkrete Sehen zu verzichten und einen tieferen inneren Blick zu nutzen. Ein Konzert, das in vollkommener Dunkelheit stattfindet und bei dem der Saal, frei von sichtbaren Anhaltspunkten, zum Labyrinth des Perseus wird. In diesem Abgrund f\u00fchrt uns ein Celloquartett durch die Geografien der Angst, von Haydn \u00fcber Bach, Schubert und Tschaikowski bis Schumann, in einer klanglichen Herausforderung gegen die Gorgone, um unsere \u00c4ngste zu vertreiben. Und am Ende wird es Licht.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><strong>Programm<\/strong><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Franz Joseph Haydn<br>Introduzione \u2013 Maestoso e adagio<br>da <em>Le ultime sette parole di Cristo sulla croce<\/em> Hob:XX:1<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Johann Sebastian Bach<br>Prelude e Sarabanda<br>dalla<em> Suite per violoncello n. 5 in do minore BWV 1011<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Franz Schubert<br>Variazioni sul Tema<br>dal II movimentodel<em> Quartetto per archi n. 14 in re minore D 810 La morte e la fanciulla<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">George Crumb<br>Pavana Lachrymae (Absence)<br>da<em> Black Angels<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Henry Purcell<br>Dido\u2019s Lament<br><em>da Dido and Aeneas<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Camille Saint-Sa\u00ebns<br>Danse Macabre op. 40<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">P\u00ebtr Il&#8217;i\u010d \u010cajkovskij<br><em>Andante Cantabile<\/em><br>dal <em>Quartetto per archi n. 1<\/em> <em>in re maggiore op. 11<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Robert Schumann<br>Tr\u00e4umerei op. 15 n. 7 in fa maggiore<br><em>da Kinderszenen op. 15<\/em><\/p>\n\n\n\n<div style=\"height:29px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"I Tre Moschettieri Cello Quartet - Tango Trasfigurato\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/O6zQRes8IaI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:29px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#365ba6\" class=\"has-inline-color\"><strong>Cit Ciat<\/strong><br><\/mark><em><em>Begegnung mit den K\u00fcnstler*innen<\/em><\/em><br>Samstag 16. Mai, 19.30 Uhr, Kreuzgang der Kirche Santa Maria dei Battuti<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Alles liegt im Dunkeln. Wenn das Auge tr\u00fcgt, besteht die einzige M\u00f6glichkeit, Medusa zu begegnen, ohne zu Stein zu erstarren, darin, auf das konkrete Sehen zu verzichten und einen tieferen inneren Blick zu nutzen. Ein Konzert, das in vollkommener Dunkelheit stattfindet und bei dem der Saal, frei von sichtbaren Anhaltspunkten, zum Labyrinth des Perseus wird. [&hellip;]<\/p>\n","protected":false},"featured_media":103108,"menu_order":0,"template":"","categoria_spettacolo":[31,30],"rassegna":[46,47],"class_list":["post-103219","spettacolo","type-spettacolo","status-publish","has-post-thumbnail","hentry","categoria_spettacolo-glasba-sl","categoria_spettacolo-musik-de","rassegna-mittelyoung-de","rassegna-mittelyoung-sl"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.mittelfest.org\/de\/wp-json\/wp\/v2\/spettacolo\/103219","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.mittelfest.org\/de\/wp-json\/wp\/v2\/spettacolo"}],"about":[{"href":"https:\/\/www.mittelfest.org\/de\/wp-json\/wp\/v2\/types\/spettacolo"}],"version-history":[{"count":11,"href":"https:\/\/www.mittelfest.org\/de\/wp-json\/wp\/v2\/spettacolo\/103219\/revisions"}],"predecessor-version":[{"id":106839,"href":"https:\/\/www.mittelfest.org\/de\/wp-json\/wp\/v2\/spettacolo\/103219\/revisions\/106839"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.mittelfest.org\/de\/wp-json\/wp\/v2\/media\/103108"}],"wp:attachment":[{"href":"https:\/\/www.mittelfest.org\/de\/wp-json\/wp\/v2\/media?parent=103219"}],"wp:term":[{"taxonomy":"categoria_spettacolo","embeddable":true,"href":"https:\/\/www.mittelfest.org\/de\/wp-json\/wp\/v2\/categoria_spettacolo?post=103219"},{"taxonomy":"rassegna","embeddable":true,"href":"https:\/\/www.mittelfest.org\/de\/wp-json\/wp\/v2\/rassegna?post=103219"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}